I make textural & biomaterial works, for collectors living in synthetic worlds,
objects that remember what alive used to feel like.

My artworks appear alive, permanently suspended between organic matter & constructed surface.

They exist in tension: between nature & artificiality, vitality & control, body & object, and echo the human condition in an artificial world.

Across paintings, ceramics, and wearable sculptures, all series are bound by a single inquiry:

what society seeks to control and what remains truly free.

For collectors drawn to ritualized encounters with materiality.

Cosmos of Living Skins
2026/25

Technique:
Bio-Tempera & Bio-Acrylic Encapsulation

Material:
(Organic-Resin-Encased Sewn Kombucha/Mushroom/Weed Leather, and Tempera/Acrylics)


These works investigate the suspension of organic processes within artificial systems. I mix tempera or acrylics with organic matter that was once alive—bacterial cellulose, fungi, skin-like materials—and suspend it within a synthetic coating to explore the tension between life and its containment: preservation as a form of control, and beauty concealing violence. What appears organic is often immobilized, contained, subdued, and distanced from its origin, mirroring the contemporary body in a world shaped by artificial systems.
Through layered textures and biomorphic forms, these artworks reflect the tension between body's feral freedom and societal control, inviting collectors to witness the delicate, often imperceptible rhythms of life violently immobilised within an imposed form. They also enact my obsession with plant leather, the unknown or uncanny (think cosmos, ocean's abyss, deep time, or human soul), and mixing pigments.

Reptilia Conscientia: II Study

2026

Series: Cosmos of Living Skins

Technique: Bio-Acrylic Encapsulation
Material: encased weed leather & acrylic paint on paperboard

Size: 100 x 75 cm (divided)

Research: symbolic language of the subconscious,
the concept of deep time, plant leather

Forms suggest organic life, yet remains suspended between movement and decay.

Price | original (signed):

EXHIBITIONS ONLY

Reptilia Conscientia: I Study

2026

Series: Cosmos of Living Skins

Technique: Bio-Acrylic Encapsulation

Material: encased weed leather & acrylic paint on paperboard

Size: 100 x 75 cm

Research: symbolic language of the subconscious,
the concept of deep time, plant leather

What appears fluid is fixed; what appears alive is held in place.

Price | original (signed): 550 euros

AVAILABLE once the study is complete
(JUNE 2026)

Underwater Mars

2025

Series: Cosmos of Living Skins

Technique: Bio-Tempera Encapsulation

Material: encased kombucha leather & oil tempera on wood

Size: 42.0 x 59.4 cm

Research: symbolic language of the subconscious,
the concept of deep time, plant leather

Layers accumulate like sediment or memory, compressing time into a single skin.

Price | original (signed):

EXHIBITIONS ONLY

Neptune of the Abyss

2025

Series: Cosmos of Living Skins

Technique: Bio-Tempera Encapsulation

Material: encased kombucha leather & oil tempera on wood

Size: 41 x 55 cm

Research: symbolic language of the subconscious,
the concept of deep time, plant leather

The surface records a moment where growth was interrupted,
contained within its own expansion.

Price | original (signed): 550 euros

SOLD

The Layers of Uranus

2025

Series: Cosmos of Living Skins

Technique: Bio-Tempera Encapsulation

Material: oil tempera on canvas

Size: 42.0 x 59.4 cm

Research: symbolic language of the subconscious,
the concept of deep time, plant leather

Pigment gathers like a slowed organism—its movement arrested just before dissolution.

Price | original (signed): 450 euros

SOLD

Surface

2025

Material: oil tempera on wood

Size: 30 x 30 cm

Research: body, nature, and ritual

Price (set) | original (signed): 320 euros

© 2026 Taba Kiera Art - All Rights Reserved.